By Jillian LeBlanc
Chris Cummins and Thomas Kegler teach creativity at East Aurora High School in three classes, under the umbrella of moviemaking.
Chris Cummins and Thomas Kegler teach creativity at East Aurora High School in three classes, under the umbrella of moviemaking.
The Aurora Film Academy (AFA) is a series of three classes,
which simultaneously work together to create a tangible product. Devised of a
creative writing course, a drama class, and a film/editing workshop, seniors at
East Aurora High School mimic the film industry on a smaller scale.
“The Aurora Film Academy is a combination, or should I say, an
amalgamation, of three classes that go through the process of making a film.
The creative writing portion, for scripting; the dramatic portion for acting
and directing; and of course the filming and the film editing portion, for
creating the final product,” Cummins said.
The initial idea came from a fellow English teacher, Jason
Zevenbergen but Cummins, Kegler, and Christine Burke brought the concept to
life. Taking about a year to fine tune details and pitch the idea to the school
board, this experimental program was put into effect in the fall of 2012.
“It was born out of necessity,” Cummins said.
The teachers said that with budget cuts, important information
will be lost due to certain classes being cut. They wanted to insure that
future high school students are given the opportunity to be creative in multiple
forms.
“We’re always, as teachers, encouraged to do cross-curricular
projects, which is extremely unfeasible, just by the nature of the way the
schedules are structured. It’s not practical. This was a way of making it
tangible,” Kegler said.
Cross-curricular projects are beneficial because they allow for
critical thinking, which is a skill colleges covet. While AFA is focusing on a
specific area of study – movie making – it is teaching students to think beyond
a single class, or a small assignment. Students must apply their work from one
class to the second, and third. They are forced to think broadly, despite their
comfort level.
“Everybody has different ability levels in each of these classes,
or each of these strands,” Cummins said. “Some students already have editing
capabilities, some students have barely turned on a computer. Some students
have been in television commercials, which have been seen on TV, some students
have never acted in their life. Some students passed AP English in flying colors;
some students are just hoping to pass English. So the challenge sometimes is
teaching all the different ability levels in all three of the classes.”
Students vary in experience, and natural ability, but Cummins
and Kegler attempt to teach more than skills. While those aspects are important
in the professional realm of media, both teachers aim to give students an
introduction with practice in less obvious skillsets.
“I think that students practice more real life applicable
communication skills in this class than in any other class that I’ve taught,”
Cummins said. “I would contend that those kinds of skills are infinitely more
important to prospective employers than some of the other skills I teach, in
terms of grammar.”
According to Cummins, students learn to effectively communicate,
something that cannot be overtly taught. This is a skill that is achieved by
doing it, and students unknowingly hone this ability through some difficult
projects.
“They are given challenges that mirror career-based challenges,
which includes reliance on the team. It includes a tangible follow-through to a
tangible product that’s going to be shared with the community,” Kegler said.
“Teamwork is such an important skill to have. It’s the nature of
give and take, and a real work environment,” Cummins added.
Teamwork is essential for college projects, careers, as well as
interpersonal relationships. Students work together to devise unique products,
learning how to comfortably collaborate. Both teachers expressed that teamwork
never goes away, and if students become comfortable doing it in this setting,
while completing challenging work, they will find much success in the future.
“The next big stage of development is going to be new
computers, which we’re working on right now. Once that happens, the efficiency
of that will allow us to do more, and do bigger, and better things,” Kegler said.
Students are limited, only being allowed to access certain
programs. The computers are too slow and old to run programs such as
AfterEffects, a popular effect application used by moviemakers. With new
computers, students can learn more than editing video, but also learn how to
manipulate footage, and create images from scratch, using a green screen.
“It’s a living thing, it’s always evolving,” said Kegler.
Technology has only gotten better with time, and AFA has
improved their equipment with each year. They hope to keep improving, and to
allow students to utilize the best tools possible. AFA serves as a
steppingstone, an introduction to a field that teens don’t usually know about.
“I think that this class has the potential, or this academy has
the potential to be something even more than it is right now,” Cummins said.
The students of AFA are given an opportunity to be creative, and
are gently pushed to work outside of their comfort zones. They are prepared for
college, being treated as adults, and are expected to work professionally.
Above all else, the Academy serves to help seniors find direction.
email: j.omerine@gmail.com
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